Long before American singer-songwriter Steve Earle found one roaming the city streets, there was another Galway Girl. Well, she was originally from County Down, but Margaret Vaughan's tragic tale will be forever linked with Galway as the inspiration behind Kylemore Abbey’s neo-Gothic Church.

But we're getting ahead of ourselves. Before there was tragedy, there was romance.

It's 1852. Successful financier, Mitchell Henry and his new bride, Margaret Vaughan, are on honeymoon in Connemara. The couple is enjoying an al fresco lunch in the townland of Kylemore. As they sit, Margaret comments how beautiful the area is, and how wonderful it would be to live there. Thirteen years later a stunning castle retreat, overlooking a glassy Connemara lake, is contructed.

Luxury is too small a word to describe Kylemore Abbey. In his book Irish Country Houses, Terence Reeves-Smyth talks of the castle as being “on a Citizen Kane scale, boasting many splendid reception rooms including a ballroom with a sprung floor, a magnificent staircase, a library, a study and 33 bedrooms...” For almost 10 years, Mitchell, Margaret and their nine children live here, in what sounds like, from all accounts, a state of bliss.

But then, in 1875 on a visit to Egypt, Margaret contracts a fever and dies. A heartbroken Mitchell can’t bear to spend much time in Kylemore and avoids it when possible. His broken heart, however, can’t stop him from building his wife one of the most elegant final resting places money can buy.

A tribute

Someone well acquainted with Kylemore is Marketing Assistant Eithne O'Halloran. For Eithne, the church is more than just a resting place. It’s a tribute.

Eithne describes the church as having proportions that are extremely elegant, with uniquely feminine features, such as the female characters featured on the beautiful stained glass windows.

A beautiful love story

Few visitors know the story of Kylemore and its reason for being built, but it’s dramatic stuff. For Mitchell, Kylemore Abbey – a labour of love – turned overnight into a reminder of the woman he had lost. His story, and Kylemore’s, is a tale of love to rival any blockbuster Hollywood romance.

Yet, as any good writer will know, every story must have its end. Mitchell and Margaret’s came when he passed away in 1910, joining his wife in the church at Kylemore.

And there they stay. Happily ever after.